Physics-Based Synthesis: Modeling Vibrations and Timbre

The aim of “Physics-Based Synthesis: Modeling Vibrations and Timbre” is to provide a comprehensive understanding of how physical vibrations influence sound production and timbre. The program seeks to equip participants with the skills to model and manipulate sound waves, fostering a deeper connection between physics, music, and sound engineering.

• Understand the fundamental principles of sound synthesis and vibration modeling.
• Learn how different physical factors influence timbre and tone quality.
• Explore techniques to model and manipulate sound waves using physics-based approaches.
• Apply sound synthesis concepts to real-world musical and engineering contexts.
• Bridge the gap between sound engineering, musical theory, and physical science.

📅 Day 1 — Modal Analysis of Strings & Plates (Physical Modeling)

• Harmonics, overtones, and Chladni patterns in musical acoustics
• Understanding physical modeling of vibrations and the role of modal analysis in sound production
• Exploring the Karplus-Strong algorithm for string-based synthesis

Hands-on

• Build a “Karplus-Strong” physical model in Pure Data (Pd) to simulate a plucked string instrument.

📅 Day 2 — Nonlinear Interactions in String Instruments

• Stick-slip friction (bowing) mechanics and phantom partials in bowed string instruments
• How nonlinear interactions influence sound production and tonal quality in instruments like violins
• Model modifications for capturing the nuances of a bow interacting with the string

Hands-on

• Modify the Pd patch to simulate a violin bow interacting with the string.

📅 Day 3 — Timbre Forensics: Real vs Synthesized Instrument Analysis

• Spectro-temporal features and their role in psychoacoustics and timbre perception
• How spectral centroids help differentiate real and synthesized instrument sounds
• Analyzing the spectral features that define an instrument’s unique timbre

Hands-on

• Use Python (Librosa) to analyze and compare real vs. synthesized instrument recordings, focusing on spectral centroids.

• Acoustics Engineers & Researchers – Focused on sound production and musical acoustics.

• Musicians & Sound Designers – Interested in synthetic instrument creation and sound synthesis.

• Audio Engineers & Technicians – Enhancing skills in string instrument modeling and timbre perception.

• Music Technology Students – Specializing in sound synthesis and psychoacoustics.

• Psychoacoustics Researchers – Exploring timbre and spectral features in sound perception.

• Software Developers – Developing audio synthesis tools with Pure Data and Python.

• Academics & Graduate Students – In acoustics, audio engineering, or music technology.

• Ability to model and simulate physical vibrations and their effect on sound properties.
• Improved understanding of how to manipulate timbre in different sound synthesis applications.
• Enhanced skills in using physics-based models to create more realistic and dynamic soundscapes.
• Increased knowledge of sound wave behaviors for applications in music production and sound engineering.
• Capable of applying learned techniques to both theoretical and practical sound engineering scenarios.